"Deathstalker" is a bloody good remake

Writer and director Steven Kostanski enlists Daniel Bernhardt to topline his remake of the cult eighties classic” Deathstalker”.

The 2025 version of “Deathstalker” taps into a specific nostalgia, aiming to revive the messy, violent charm of old-school fantasy epics. The film is a ferocious 100-minute experience that shows these relics can resonate when crafted by the right creator.

From the start, *Deathstalker* showcases Kostanski’s love for practical effects, featuring latex monsters, gory visuals, and over-the-top performances. The movie embraces a cartoonish, self-aware tone, celebrating its ridiculousness in a way that feels vibrant and unpolished.

Kostanski wisely omits the misogyny and excess of the original 1983 film, focusing instead on core elements: swordplay, monsters, and grand visuals. The result is a tighter, more intense version that aligns better with the original’s pulp fantasy roots.

Daniel Bernhardt shines as the title character, bringing a confident presence and agility to the film’s action scenes. Kostanski’s commitment to physicality in the fights, rather than shaky editing, makes them a standout feature.

The narrative is straightforward and focuses on the hero’s journey without unnecessary exposition. This brevity allows for snappy conflict and memorable enemies, making the film easy to enjoy.

The practical effects are a highlight, featuring grotesque, slightly goofy creatures that evoke childhood nightmares. In addition to its monsters, “Deathstalker” captures humorous and absurd fantasy relationships, adding a touch of emotional depth.

While it may not rival prestige fantasy epics or big-budget superhero films, *Deathstalker* delivers unapologetic, bloody fun, fueled by a passion for a forgotten subgenre. By fully embracing its essence, the film recaptures the thrill that many contemporary films lack, reminding us why we fell in love with fantasy in the first place.

Final Grade : B+