Actor Kevin Wayne steps into directing with his feature debut, "Hellbilly Hollow", produced by Bad Man Films. Bernadette Chapman penned the screenplay, and the film was shot on location at the actual Hellbilly Hollow haunted attraction in Vincent, Alabama. The film opens with a young boy witnessing the murder of his sister by an unseen force. Years later, the boy has grown up to become Tickles (Kevin Wayne), a disfigured, childlike clown, alongside his brother Bull (Kurt De

LaMonica Garrett commands William Kaufman’s gritty, explosive military action thriller.

Inside tackles prison rehabilitation ambitiously but struggles to truly connect.

Floating Carousel turns modern dating into a darkly funny study of loneliness, transactional relationships, and emotional survival in New York City.

Sunny Dancer is a heartfelt comedy-drama about teenagers finding friendship, humor, and connection at a camp for young people affected by cancer

Ritchson and Wilson shine in an entertaining buddy action throwback.

A familiar last name, an old-school spy setup, and plenty of throwback action give “Knightfall” the feel of a direct-to-video thriller pulled straight from the video-store era.

By Any Means pairs Yahya Abdul-Mateen II and Mark Wahlberg in a gritty buddy thriller whose strong chemistry outweighs its underdeveloped history.

Low-budget zombie throwback lacks the energy its wild premise deserves.

Power Ballad gives John Carney another thoughtful music-driven dramedy, with Paul Rudd shining in a story about fame and ownership.

Dead Janitors Club serves dark laughs, crime-scene chaos, and twisted charm in a messy but entertaining one time watch.

The cast brings plenty of laughs and believable chemistry to Spa Weekend. But uneven transitions and missing connective tissue make it feel like something may have been left behind in the editing room.

The Insidious franchise returns for another trip into The Further, but familiarity and a sluggish pace keep the scares from hitting as hard as they once did. There are a few effective moments, but this supernatural realm is starting to feel a little too routine.

David Robert Mitchell delivers another ambitious genre exercise with an intriguing premise and strong performances. Unfortunately, The End of Oak Street lingers on some of its ideas long after it has made the point, turning a good movie into one that slightly overstays its welcome

Shackled turns futuristic parole into deadly punishment in Luke Spears’ lean, tense dystopian crime thriller.

With a premise this wild, One Night Only should have been much more daring.

Jesse V. Johnson’s Above & Below attempts to combine a crime thriller, a heist film, and shark-fueled survival horror into one lean B-movie.

Sébastien Vaniček delivers the gore, practical effects, and demonic chaos fans expect, but Evil Dead Burn follows the franchise formula too closely to become a truly memorable nightmare.

The Town That Takes builds an intriguing mystery around Croatian folklore, but too much exposition and too many questionable character choices weaken the payoff

Fifth Jackass film provides more of the same and that's perfectly fine.