"Hamnet" embalms grief instead of exploring it.

"Good Boy" pulls off it's risky horror gimmick.

"Friendship" is cringe cinema at it's finest

"Eddington" is textbook Ari Aster and that's just fine.

"Deathstalker" is a remake that gets it right.

"Caught Stealing" is the American Dream gone wrong/

Emma Stone and Jesse Plemons excel in director Yorgos Lanthimos "Bugonia".

"Abraham Boys" is a Dracula sequel that lacks bite.

"The Thing With Feathers" is a stylish but suffocating grief drama where ambition outweighs emotional grief.

"Rebuilding" is a decent small scale drama.

Kate Beckinsale returns to her action roots in Wildcat, a film that knows exactly what it wants to be—and embraces every well-worn trope with a wink.

Kevin Hart: Acting My Age,” delivering an energetic hour that blends classic Hart storytelling with sharp commentary on everyday absurdities.

Peacock’s High Horse: The Black Cowboy delivers a powerful, culture-shifting look at the Black men and women who shaped the Wild West long before Hollywood rewrote the script

Dazzling production design, standout turns from Cynthia Erivo and Ariana Grande, and heartfelt themes anchor Wicked: Part II. But the decision to split the story leaves this finale with pockets of filler.

David Arquette saves "The Perfect Gamble".

"Now You See Me, Now You Don't" has enough tricks to keep the franchise fresh.

"A Merry Little Ex-Mas", a Netflix rom-com where Alicia Silverstone finds warmth, wit, and just enough cocoa-fueled comfort to melt even the grinchiest heart.

Edgar Wright ditches the camp of the 1987 Arnold classic for a grittier, more faithful take on Stephen King’s The Running Man.

"Murder at the Embassy" offers just enough for a one time watch.

The educated brother from the bank makes a soulful return.