"How to Rob a Bank" is a social-media-fueled heist comedy with strong performances and lively action, despite a weak third act.

"Godzilla Minus Zero" delivers towering spectacle without losing sight of the family caught beneath it.

Before Hollywood feared zombies, slavery created their haunting original meaning.

Spielberg returns to the stars delivering a hopeful sci-tale that improves with a second viewing.

"Clayface" successfully explores the devastating consequences of losing everything that defines you

“Once Upon a Time in the Middle East” follows a Chinese chef whose restaurant becomes a wartime refuge. Food, humor and everyday people give this drama its heart.

Director Nacho Arenas Turns Couples Therapy Into a Tense Chamber Piece

Deadly spiders invade an apartment complex in a creature feature that delivers some thrills but struggles to make its characters worth rooting for.

Don’t Move delivers familiar but effective creature-feature thrills as Lyndsy Fonseca battles grief, isolation, and a prehistoric arachnid in the Ozark wilderness.

Found-footage films have never been my favorite corner of the horror genre, but Alison-Eve Hammersley’s “Erie” caught me by surprise.

Rob Riggle delivers a grounded dramatic performance in Nickels, a heartfelt but underdeveloped drama about grief, faith, and second chances.

Director Nick Davis looks back at the friendships, talent, and perfect timing that helped shape a generation of comedy.

The leads bring enough chemistry and charm to make this predictable rom-com a one time watch .

Inside tackles prison rehabilitation ambitiously but struggles to truly connect.

Floating Carousel turns modern dating into a darkly funny study of loneliness, transactional relationships, and emotional survival in New York City.

A familiar last name, an old-school spy setup, and plenty of throwback action give “Knightfall” the feel of a direct-to-video thriller pulled straight from the video-store era.

Low-budget zombie throwback lacks the energy its wild premise deserves.

Power Ballad gives John Carney another thoughtful music-driven dramedy, with Paul Rudd shining in a story about fame and ownership.

The Insidious franchise returns for another trip into The Further, but familiarity and a sluggish pace keep the scares from hitting as hard as they once did. There are a few effective moments, but this supernatural realm is starting to feel a little too routine.

David Robert Mitchell delivers another ambitious genre exercise with an intriguing premise and strong performances. Unfortunately, The End of Oak Street lingers on some of its ideas long after it has made the point, turning a good movie into one that slightly overstays its welcome