"Brothers" Review: McConaughey and Harrelson Turn Real-Life Rumors Into Easygoing Comedy

Television writer Lee Eisenberg brings his talent to Apple TV with the comedy series “Brothers,” starring Matthew McConaughey and Woody Harrelson. The show, which began with a trio of creators including David West Read, comprises eight episodes and features directors Trent O’Donnell, Jason Winer, and Erin O’Malley. Brett Finkel and David Finkel join Read and Eisenberg in the writers’ room.
The concept for “Brothers” began with a 2020 rumor that McConaughey’s mother claimed she was intimate with Harrelson’s father around the time of Harrelson’s conception. The show presents fictional versions of the two actors: Woody lives a carefree life in Ohio in an RV with his wife, Joy (Brittany Ishibashi), and their children. Meanwhile, Matthew enjoys life on his Texas ranch, married to Valentina (Natalie Martinez) and contemplating a career in politics.
When Harrelson’s daughter’s wedding falls apart, they make an unexpected visit to Texas. Being the Southern gentleman he is, McConaughey decides the families should come together. However, things take an unexpected turn when Harrelson and McConaughey uncover a family secret: they might actually be brothers.
As a longtime fan of both Harrelson and McConaughey, I still consider their performances in the first season of “True Detective” to be a master class in acting. I initially encountered both actors through comedies like “Cheers” and McConaughey’s role in “Dazed and Confused.” After reading the plot for “Brothers,” I was excited to see both stars return to comedy. To my surprise, “Brothers” uses dry wit. The version of Harrelson in the show is very laid-back, with touches of Bohemian flair.
Harrelson actually comes off as funnier and serves as a counterbalance to the more straight-laced McConaughey. “Brothers” doesn’t turn Harrelson into a stereotypical right-wing Texan; rather, it follows the arc of a man ready to leave Hollywood behind, mature, and lead his family.
The chemistry between the two actors is engaging, and I found myself genuinely invested in their journey. One thing I must commend the writers for is avoiding clichéd humor; I expected them to reference the duo’s poorly received 2008 film “Surfer, Dude” or their individual flops, but that never happens.
While it’s a joy to see Holland Taylor deliver her trademark wisdom as McConaughey’s mother, and Natalie Martinez looks stunning as ever, I did find the supporting cast somewhat underdeveloped. Nevertheless, “Brothers” has enough charm from its leads to make for an enjoyable first season.
Final Grade: B


