Supergirl Review: Milly Alcock Leads an Emotional and Entertaining New Chapter for the DC Universe

Director Craig Gillespie makes his debut in the DC Universe with *Supergirl*, the franchise’s second theatrical release under the new creative direction of DC Studios. Working from Ana Nogueira’s screenplay, adapted from Tom King and Bilquis Evely’s acclaimed *Supergirl: Woman of Tomorrow* comic series, Gillespie delivers a film that focuses less on world-ending stakes and more on the emotional journey of a young hero discovering her identity when no one expects her to save the day.

The story follows Ruthye Marye Knoll (Eve Ridley), whose peaceful life is shattered when the ruthless Krem of the Yellow Hills (Matthias Schoenaerts) murders her family after they refuse to help him construct a weapon. Consumed by grief and vengeance, Ruthye encounters Kara Zor-El, better known as Supergirl (Milly Alcock), who is celebrating her 23rd birthday by traveling the galaxy with her loyal companion, Krypto.

Although Kara initially declines to join Ruthye’s quest, circumstances change when Krem steals her ship and leaves Krypto critically injured. What starts as a personal mission quickly evolves into an intergalactic adventure that also brings the infamous bounty hunter Lobo (Jason Momoa) into the mix.

After the disappointing 1984 *Supergirl*, the character has waited over 40 years for another solo theatrical outing. Following her memorable introduction in last year’s *Superman*, this film finally gives Kara the spotlight she rightfully deserves. Initially, I had heard comparisons to *True Grit*, and surprisingly, those comparisons hold.

Instead of borrowing from that film’s revenge framework, *Supergirl* flips the dynamic. Kara often takes on the role of the grizzled mentor, while Ruthye serves as the emotional core, creating a partnership that feels authentic and refreshingly different from the typical superhero formula.

The film’s greatest strength is the chemistry between Milly Alcock and Eve Ridley. Alcock immediately makes Kara her own, blending sarcasm, confidence, vulnerability, and compassion into a performance that feels effortless. She never loses sight of Kara’s humanity, even during the film’s biggest action sequences. Ridley is equally impressive, bringing determination and innocence to Ruthye without reducing her to a sidekick in need of saving.

Jason Momoa nearly steals the show whenever Lobo appears. His larger-than-life personality, sharp comedic timing, and undeniable charisma inject fresh energy into every scene. David Corenswet also continues to prove he understands Superman, bringing warmth and sincerity to his extended appearance while reinforcing the family bond between Clark and Kara.

Gillespie deserves credit for resisting the temptation to overwhelm audiences with nonstop spectacle. While there are plenty of visually impressive action sequences, he consistently refocuses on the relationship between Kara and Ruthye. This emotional investment gives the film a heart that distinguishes it from many recent comic-book adaptations.

Unfortunately, the film’s weakest link is its villain. Matthias Schoenaerts has delivered memorable antagonists throughout his career, but Krem never becomes the threatening presence the story requires. Whether due to the screenplay or the performance itself, the character lacks the menace needed to elevate the conflict. The pacing also becomes uneven during the second act, occasionally slowing momentum before recovering for a satisfying conclusion.

Even with these shortcomings, *Supergirl* succeeds because it never loses sight of its characters. Instead of relying solely on CGI spectacle, it tells a heartfelt story about grief, family, redemption, and the choice of hope over revenge. It may not be a flawless entry into the DC Universe, but it is an entertaining and emotionally satisfying adventure that finally gives the Girl of Steel the theatrical showcase she has earned.

Final Grade: B-

*Supergirl* is now playing exclusively in theaters.