Red Sonja reboot is lackluster .

"Plain Clothes" is provocative, passionate, and perfectly timed for our identity-obsessed age.

Your inner rebel will thank you for watching "Orwell: 2 + 2 = 5"

"Nouvelle Vague" gives French cinema it's flowers

LURKER dissects modern fame, par asocial obsession, and the terrifying cost of proximity

"Hamnet" embalms grief instead of exploring it.

"Good Boy" pulls off it's risky horror gimmick.

"Eddington" is textbook Ari Aster and that's just fine.

"Caught Stealing" is the American Dream gone wrong/

Emma Stone and Jesse Plemons excel in director Yorgos Lanthimos "Bugonia".

"Abraham Boys" is a Dracula sequel that lacks bite.

"Rebuilding" is a decent small scale drama.

Kate Beckinsale returns to her action roots in Wildcat, a film that knows exactly what it wants to be—and embraces every well-worn trope with a wink.

Kevin Hart: Acting My Age,” delivering an energetic hour that blends classic Hart storytelling with sharp commentary on everyday absurdities.

Peacock’s High Horse: The Black Cowboy delivers a powerful, culture-shifting look at the Black men and women who shaped the Wild West long before Hollywood rewrote the script

David Arquette saves "The Perfect Gamble".

"Now You See Me, Now You Don't" has enough tricks to keep the franchise fresh.

"A Merry Little Ex-Mas", a Netflix rom-com where Alicia Silverstone finds warmth, wit, and just enough cocoa-fueled comfort to melt even the grinchiest heart.

"Murder at the Embassy" offers just enough for a one time watch.

The educated brother from the bank makes a soulful return.