Kevin Williamson’s Scream 7 honors the franchise’s legacy with strong performances and suspense, but an underdeveloped motive keeps it from reaching the series’ heights.

"Whistle" is mindless horror fun

Despite some solid backstory bits, "The Strangers : Chapter 3" is a miss

Worldbreaker sets out to tell a post-apocalyptic survival story but settles instead for endless gloom and half-formed ideas

"Send Help" avoids January movie curse

A brave teacher's tootage exposes how propaganda reshapes childhoos under Putin

Set against the postcard beauty of a tropical resort, Islands follows a drifting tennis coach whose easygoing lifestyle is disrupted by the arrival of a mysterious tourist—and the sudden disappearance of her husband.

Red Sonja reboot is lackluster .

"Queen of The Ring" is a slamming biopic.

"Plain Clothes" is provocative, passionate, and perfectly timed for our identity-obsessed age.

Your inner rebel will thank you for watching "Orwell: 2 + 2 = 5"

"Nouvelle Vague" gives French cinema it's flowers

LURKER dissects modern fame, par asocial obsession, and the terrifying cost of proximity

Time files in "Kill Bill : The Whole Bloody Affair".

"Jay Kelly" plays it to safe.

"Hamnet" embalms grief instead of exploring it.

"Good Boy" pulls off it's risky horror gimmick.

"Friendship" is cringe cinema at it's finest

"Eddington" is textbook Ari Aster and that's just fine.

"Caught Stealing" is the American Dream gone wrong/