Red Sonja reboot is lackluster .

"Queen of The Ring" is a slamming biopic.

"Plain Clothes" is provocative, passionate, and perfectly timed for our identity-obsessed age.

Your inner rebel will thank you for watching "Orwell: 2 + 2 = 5"

"Nouvelle Vague" gives French cinema it's flowers

LURKER dissects modern fame, par asocial obsession, and the terrifying cost of proximity

Time files in "Kill Bill : The Whole Bloody Affair".

"Jay Kelly" plays it to safe.

"Hamnet" embalms grief instead of exploring it.

"Good Boy" pulls off it's risky horror gimmick.

"Friendship" is cringe cinema at it's finest

"Eddington" is textbook Ari Aster and that's just fine.

"Caught Stealing" is the American Dream gone wrong/

Emma Stone and Jesse Plemons excel in director Yorgos Lanthimos "Bugonia".

"Abraham Boys" is a Dracula sequel that lacks bite.

"The Thing With Feathers" is a stylish but suffocating grief drama where ambition outweighs emotional grief.

"Rebuilding" is a decent small scale drama.

Kate Beckinsale returns to her action roots in Wildcat, a film that knows exactly what it wants to be—and embraces every well-worn trope with a wink.

Dazzling production design, standout turns from Cynthia Erivo and Ariana Grande, and heartfelt themes anchor Wicked: Part II. But the decision to split the story leaves this finale with pockets of filler.

David Arquette saves "The Perfect Gamble".