"Deathstalker" is a remake that gets it right.

"Caught Stealing" is the American Dream gone wrong/

Emma Stone and Jesse Plemons excel in director Yorgos Lanthimos "Bugonia".

"Abraham Boys" is a Dracula sequel that lacks bite.

"The Thing With Feathers" is a stylish but suffocating grief drama where ambition outweighs emotional grief.

"Rebuilding" is a decent small scale drama.

Kate Beckinsale returns to her action roots in Wildcat, a film that knows exactly what it wants to be—and embraces every well-worn trope with a wink.

Dazzling production design, standout turns from Cynthia Erivo and Ariana Grande, and heartfelt themes anchor Wicked: Part II. But the decision to split the story leaves this finale with pockets of filler.

David Arquette saves "The Perfect Gamble".

"Now You See Me, Now You Don't" has enough tricks to keep the franchise fresh.

Edgar Wright ditches the camp of the 1987 Arnold classic for a grittier, more faithful take on Stephen King’s The Running Man.

Love, Lies, and Laughter Collide in Unexpected Christmas

Director Dan Trachtenberg returns to the Predator universe with Predator: Badlands, a bold and surprisingly heartfelt entry that fuses coming-of-age storytelling with sci-fi survival action.

"Ice Fall" is a brisk, one-time watch that proves Kinnaman still thrives in the grit — even when the temperature drops below zero.

YouTube critic turned filmmaker Chris Stuckmann swings for the horror fences with Shelby Oaks, but ends up striking out.

"In Our Blood" is ambitious, atmospheric but uneven .

Director Richard Linklater frequent collaborator Ethan Hawke explore poetry and pain in "Blue Moon"

"Good Fortune" is a charming life swap comedy.

Scott Derrickson avoids tired sequel traps, crafting a haunting, emotional return that proves sometimes evil doesn’t stay buried.

Rose Byrne Finds Painful Clarity director in Mary Bronstein’s Unflinching Drama